ISSUE 24

top of page

This black and white photograph shows a woman dressed in a shirt, land army dungarees and a headscarf driving a tractor in a rural setting.

This black and white photograph shows a woman dressed in a shirt, land army dungarees and a headscarf driving a tractor in a rural setting.

Women, Class and Clothing in Britain during the Second World War

EPOCH

Jun 18 min read

White text is placed on a black background within a white rectangle. The main block of text says: ‘All who pass: Remember the thousands of people who lived for generations in District Six and were forced by law to leave their homes because of the colour of their skins. Remember St. Mark’s Church and the community who resisted the destruction of District Six.’

White text is placed on a black background within a white rectangle. The main block of text says: ‘All who pass: Remember the thousands of people who lived for generations in District Six and were forced by law to leave their homes because of the colour of their skins. Remember St. Mark’s Church and the community who resisted the destruction of District Six.’

From Pain to Power: The Legacy of Afro-Latin Dancing in South Africa’s Suburbs

EPOCH

Jun 18 min read

From Paludan's source: A group of eunuchs.

From Paludan's source: A group of eunuchs.

Beyond the Myth: Rethinking the Eunuch and the Stereotype of the Mutilated Body

EPOCH

Jun 110 min read

A painting of Aphra Behn as a young woman. She has light brown hair which is pinned up using what look like pearl pins. She wears a red dress and looks outwards towards the viewer.

A painting of Aphra Behn as a young woman. She has light brown hair which is pinned up using what look like pearl pins. She wears a red dress and looks outwards towards the viewer.

Abolition and Commodity: Aphra Behn and the Black Body

EPOCH

Jun 17 min read

Dimly lit vintage desk with an open book under a retro lamp. Framed photos on wood-paneled wall in background, conveying a nostalgic atmosphere.

Dimly lit vintage desk with an open book under a retro lamp. Framed photos on wood-paneled wall in background, conveying a nostalgic atmosphere.

Letter From the Editors

EPOCH

Jun 14 min read

The page features a dramatic portrait of Crowley in a dark hood, several staged ritual images, and illustrations of robed figures and an altar, surrounded by dense columns of text in a highly tabloid layout.

The page features a dramatic portrait of Crowley in a dark hood, several staged ritual images, and illustrations of robed figures and an altar, surrounded by dense columns of text in a highly tabloid layout.

Novels that Built Modern Occultism

EPOCH

Jun 18 min read

This is a black and white photograph of the devastation caused by the German Air Force during the Blitz. In the background of the image, there is a building with its windows blown out. In the foreground of the image there are people moving around the debris possibly looking for survivors of the bombing.

This is a black and white photograph of the devastation caused by the German Air Force during the Blitz. In the background of the image, there is a building with its windows blown out. In the foreground of the image there are people moving around the debris possibly looking for survivors of the bombing.

Discipline on Display: Regulating Bodies and Manufacturing Fear

EPOCH

Jun 17 min read

The Future Takes Care of Itself: Nick Land’s History of Capitalism

The Future Takes Care of Itself: Nick Land’s History of Capitalism

The Future Takes Care of Itself: Nick Land’s History of Capitalism

EPOCH

Jun 17 min read

Makan-makan like a Malaysian: The Aroma of Food and Echoes of History, Politics, and Society

Makan-makan like a Malaysian: The Aroma of Food and Echoes of History, Politics, and Society

Makan-makan like a Malaysian: The Aroma of Food and Echoes of History, Politics, and Society

EPOCH

Jun 17 min read

It’s All Computus To Me!

It’s All Computus To Me!

It’s All Computus To Me!

EPOCH

Jun 19 min read

Zoomed in illustration of men in small boats with oars on the sea, depicted by curved blue lines. There are four men in one boat and three in the other, which has an animal shaped mast head, All the men except for one are facing forwards, and are in brightly coloured green and red clothing, wearing pointed hats and holding shields.

Zoomed in illustration of men in small boats with oars on the sea, depicted by curved blue lines. There are four men in one boat and three in the other, which has an animal shaped mast head, All the men except for one are facing forwards, and are in brightly coloured green and red clothing, wearing pointed hats and holding shields.

Disability in Viking-Age Iceland and Beyond: Rituals of the Body

EPOCH

Jun 19 min read

A black and white, grotesque caricature of the character Mr Punch. He is depicted entirely naked with an exaggeratedly large nose and chin. Riding a donkey, he holds his phallus in hand. A woman in a simple dress stands behind the donkey with her arms wrapped around Mr Punch’s waist.

A black and white, grotesque caricature of the character Mr Punch. He is depicted entirely naked with an exaggeratedly large nose and chin. Riding a donkey, he holds his phallus in hand. A woman in a simple dress stands behind the donkey with her arms wrapped around Mr Punch’s waist.

Stripped Bare: The Caricature Assassination of Mr Punch in Private Eye

EPOCH

Jun 19 min read

Portraits of three men: on the left, an engraving of Thomas Middleton in an oval frame in which he is draped in a heavy dark material and wearing a wreath of laurel around his forehead. Below him is text reading ‘Vera Effigies: Tho: Midletoni Gent’; in the centre, a painting of Ben Jonson in black clothing with a white collar, whose bearded face stands out against the dark background; on the right an engraving of George Chapman in an oval frame who sports a beard and wavy hair. Below Chapman is text in both Latin and Greek.

Portraits of three men: on the left, an engraving of Thomas Middleton in an oval frame in which he is draped in a heavy dark material and wearing a wreath of laurel around his forehead. Below him is text reading ‘Vera Effigies: Tho: Midletoni Gent’; in the centre, a painting of Ben Jonson in black clothing with a white collar, whose bearded face stands out against the dark background; on the right an engraving of George Chapman in an oval frame who sports a beard and wavy hair. Below Chapman is text in both Latin and Greek.

How Profane were Shakespeare and his Peers?

EPOCH

Jun 19 min read

A Beginner’s Guide to Medieval Textiles

A Beginner’s Guide to Medieval Textiles

A Beginner’s Guide to Medieval Textiles

EPOCH

Jun 110 min read

A statue of Frederick Barbarossa, slumped into his throne, etched from stone.

A statue of Frederick Barbarossa, slumped into his throne, etched from stone.

The Legacy of Rome and Charlemagne: The Translatio Imperii of Frederick Barbarossa

EPOCH

Jun 110 min read

A cartoon depicting British soldiers of 1815 compared with British soldiers in 1915. The former wears red uniforms while the latter is in khaki.

A cartoon depicting British soldiers of 1815 compared with British soldiers in 1915. The former wears red uniforms while the latter is in khaki.

‘Fighting our Fathers’ Cause’: The British Press and the Waterloo Centenary

EPOCH

Jun 110 min read

Beyond the ‘Shiny Bits’: Reinterpreting an Iron Age Mass Grave at Gomolava, Serbia

Beyond the ‘Shiny Bits’: Reinterpreting an Iron Age Mass Grave at Gomolava, Serbia

Beyond the ‘Shiny Bits’: Reinterpreting an Iron Age Mass Grave at Gomolava, Serbia

EPOCH

Jun 119 min read

bottom of page